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superficies    
n. 表面;外表;外观

表面;外表;外观

superficies
n 1: the purely external aspect of a thing; superficial
appearance; "the audience was held by the substance of the
play rather than by the superficies of the
production"-R.W.Speaight
2: outer surface of an area or a body

Superficies \Su`per*fi"cies\, n. [L., fr. super above, over
facies make, figure, shape. See {Surface}.]
1. The surface; the exterior part, superficial area, or face
of a thing.
[1913 Webster]

2. (Civil Law)
(a) Everything on the surface of a piece of ground, or of
a building, so closely connected by art or nature as
to constitute a part of it, as houses, or other
superstructures, fences, trees, vines, etc.
(b) A real right consisting of a grant by a landed
proprietor of a piece of ground, bearing a strong
resemblance to the long building leases granted by
landholders in England, in consideration of a rent,
and under reservation of the ownership of the soil.
--Bouvier. Wharton.
[1913 Webster]


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  • José Guadalupe Posada - Wikipedia
    In 1872, Posada and Pedroza dedicated themselves to commercial lithography in León, Guanajuato While in Leon, Posada opened his own workshop and worked as a lithography teacher at the local secondary school He also continued his work with lithographs and wood engravings
  • Taller de Gráfica Popular (Mexico City, Mexico) - The Art Institute of . . .
    This Mexico City–based workshop took up the legacy of the famous Mexican broadside illustrator José Guadalupe Posada, creating prints, posters, and illustrated publications that were popular, affordable, legible, politically topical, and, above all, formally compelling
  • Jose Guadalupe Posada - 59 artworks - illustration - WikiArt. org
    In 1872, Posada and Pedroza dedicated themselves to commercial lithography in Leon, Guanajuato While in Leon, Posada opened his own workshop and worked as a teacher of lithography at the School of Secondary education along with continuing his work with lithographs and wood engravings
  • Bearing Witness: Artist as Social Commentator - Library of Congress
    This homage by artist Leopoldo Méndez imagines Mexican printmaker José Guadalupe Posada (1852–1913) in his studio, using burin and block to record a scene outside his window of uniformed men attacking unarmed peasants
  • The Printmaker Who Became a Hero of Mexican Cultural Identity
    These broadsides were the work of José Guadalupe Posada, a prolific printmaker who enjoyed modest success during his lifetime, only to be heralded as a hero of revolutionary Mexican aesthetics a
  • Mexican artist José Guadalupe Posada
    Beginning in 1884, he taught lithography at the Leon secondary school for approximately one year In 1888, a flood in León damaged Posada’s workshop and possibly caused the death of one or more members of his family (although there is no certainty of the latter)
  • José Guadalupe Posada, Lampooner - JSTOR
    Mexico's first lithographic workshop was established in 1826 by Claudio Linati and used to produce the newspaper El Iris 5 Posada was familiar with the prints of early Mexican lithographers such as J M Villasana, Hipolito Salazar, and Santiago Hernandez
  • José Guadalupe Posada: The Father of Mexican Modern Art
    Posada soon opened a modest workshop, producing engravings for songbooks, religious prints, news sheets, recipe pamphlets, and board games In a city where most people could not read, his images became a vital form of visual storytelling
  • Leopoldo Méndez - Posada in his workshop (homage to Posada) - The . . .
    With this print, Méndez expressed his admiration for José Guadalupe Posada, who is often described as the father of printmaking in Mexico Posada is shown holding an engraving tool as he watches police on horseback attacking workers
  • The Graphic Legacy of José Guadalupe Posada in Two LACMA Exhibitions
    In 1937 a group of leftist artists founded the Taller the Gráfica Popular (TGP; People’s Print Workshop) in Mexico City, a collective workshop that produced prints to advance changes fostered by the Mexican Revolution





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